Avid and FilmLight have announced a strategic partnership to bring a new Baselight-powered color experience natively into Avid Media Composer, with the goal of creating a more connected color workflow from dailies through finishing and delivery.

Announced on September 9, 2026, the partnership brings together Avid's Media Composer editorial platform and FilmLight's Baselight color-grading technology. The companies are working toward a workflow that brings color more closely into the editorial process while maintaining a path to the full Baselight environment for high-end finishing.

Importantly, this is not the first Baselight workflow available for Avid. FilmLight already offers Baselight Editions v7 for Avid, which brings Baselight color tools directly onto the Avid timeline. The new partnership represents a broader effort to develop a deeper, native color experience within Media Composer.

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Key Takeaways

• Avid and FilmLight are partnering to bring Baselight-powered color deeper into Media Composer.
• The goal is to connect color decisions more closely across dailies, editorial, review, grading, finishing, and delivery.
• The partnership is intended to reduce unnecessary handoffs, renders, and conform steps between editorial and color workflows.
• Baselight Editions v7 for Avid is already available; the new partnership represents a deeper native direction for Media Composer.
• Avid and FilmLight have not announced a detailed release schedule or complete feature specification for the new native experience.

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What Is New About the Avid–FilmLight Partnership?

The key change is how closely color is intended to work with the Media Composer editorial environment.

Avid and FilmLight are working toward bringing Baselight-powered color capabilities deeper into Media Composer, making color a more integrated part of the editing workflow rather than treating editorial and finishing as completely separate stages.

For editors, the intended workflow provides greater visibility into color while working in the timeline. For colorists, the goal is to maintain a closer connection between editorial decisions and the full Baselight finishing environment.

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Four Areas of the Partnership

1. Baselight-Powered Color Inside Media Composer

Avid and FilmLight are working toward bringing Baselight-powered color capabilities deeper into Media Composer.

The objective is to give editors greater visibility into the look of their sequences while they are still working in the timeline, allowing color to become a more connected part of the editorial process.

2. A Connected Path From Dailies to Delivery

The partnership is designed to keep color decisions more connected throughout production, including dailies, editorial, review, grading, finishing, and delivery.

Rather than treating editorial and color as separate stages connected by exports, renders, and conforms, the companies want to create a more continuous workflow that helps preserve creative intent throughout post-production.

3. FilmLight Color Technology at Editorial Scale

The collaboration aims to extend FilmLight's color technology to more Media Composer users while retaining the depth, precision, and control associated with Baselight finishing workflows.

This does not replace the full Baselight environment. Instead, the announced direction is to create a closer relationship between Media Composer editorial and Baselight finishing.

4. More Flexible Online and Delivery Workflows

The partnership is also intended to support different finishing requirements.

For some productions, the goal is to enable more color and delivery work within Media Composer. For higher-end finishing, Avid and FilmLight describe a renderless roundtrip with full Baselight, allowing projects to move between editorial and advanced Baselight finishing workflows.

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What Is Available Today?

This distinction is important for teams evaluating the announcement.

Baselight for Avid is already available. FilmLight's Baselight Editions v7 extends Baselight color tools directly onto the Avid timeline and is available for Avid on Windows and Mac.

The new Avid-FilmLight partnership goes further. It focuses on developing a deeper native Baselight-powered color experience within Media Composer and a more connected workflow between editorial and high-end Baselight finishing.

As of the September 9 announcement, Avid and FilmLight have not provided a complete specification or detailed release schedule for the new native experience.

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What Does This Mean for Post-Production Teams?

The potential benefit is straightforward: less separation between editorial and color.

For editors, a more integrated color workflow can provide greater awareness of the intended look while cutting.

For colorists, closer integration can help maintain the relationship between editorial decisions and Baselight finishing.

For post-production facilities, the partnership could provide more flexibility to move between editorial color, online, finishing, and delivery based on the requirements of each project.

The development is particularly relevant to productions where multiple teams and complex formats make color continuity throughout the workflow important.

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Why the Partnership Matters

Media Composer and Baselight already have established roles in professional post-production. The significance of this partnership is the effort to make color a more continuous part of the editorial-to-finishing workflow.

Avid and FilmLight are working toward an environment where color decisions can remain more closely connected from dailies and editorial through grading, finishing, and delivery, while still allowing specialist teams to use the full Baselight environment for high-end color work.

For teams already using Media Composer and Baselight, the partnership is an important development to watch as Avid and FilmLight define the next stage of their integration.

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Explore Avid Media Composer at Motion Media

Avid Media Composer is a professional editorial platform used across film, television, broadcast, and post-production workflows. As an authorized Avid reseller, Motion Media provides Avid products and licensing options for professional media teams.

If you're evaluating Media Composer for your editorial workflow or planning a post-production environment that can integrate with specialized color and finishing tools, explore Avid Media Composer and Avid products at Motion Media.