Motion Media Blog | Visual Effects & Animation News & Updates

If you've ever worked on destruction simulations in 3ds Max, you probably know the process can get frustrating fast. Making things break the right way takes a lot of trial and error, and when clients want quick revisions, it’s even harder. That

Rendering glass and liquid has always been tricky. You deal with overlapping geometry, nested dielectrics, and complicated node setups just to make something transparent that doesn’t look off. And most 3D asset libraries don’t make it any

You’ve got stunning visuals, a perfect setting, and the story is all there. But if the audio is rough, your whole production takes a hit. Whether it's wind noise, echo, traffic, or inconsistent mic levels, poor sound can ruin the moment. Enter

Looking to take your tracking skills to the next level? In Boris FX’s latest tutorial, “Simultaneous Camera and Object Tracking in SynthEyes,” expert Elizabeth Postol breaks down the process of achieving seamless object and camera s

For broadcasters and video professionals operating in high dynamic range (HDR) environments, accurate and standards-compliant color processing is critical. That’s where the BBC HLG LUTs Color Pipeline in the AJA ColorBox steps in—a field-