Atomos Shogun Inferno 7-inch 10-bit AtomHDR 1500nit Field Monitor (with travel case)

Atomos Shogun Inferno 7-inch 10-bit AtomHDR 1500nit Field Monitor (with travel case) - Image 1
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Product highlights
7in high bright (1500 nit) 10-bit monitor
PQ I/O - PQ IN for HDR grading in the field; PQ out for HDR on the big screen
4K 60P & HD 240P recording
1.5G/3G/6G/12G SDI inputs and a convenient single 12G SDI output
1-Year Manufacturer's Limited Warranty
Product Family
Shogun Inferno
Your Price: $999.00

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Atomos invented the all-in-one monitor recorder category and now redefine it with the Shogun Inferno. It is the combination of the most advanced monitor technologies - 1500nit/10bit/HDR, the latest recording capability - 4Kp60 over Quad-SDI, along with playback & editing functionality that encourages on set collaboration. Shogun Inferno makes mastering a high resolution, high frame rate, high dynamic range workflow available to all filmmakers.


  • Shoot HDR with Log Cameras
    AtomHDR image processing lets you shoot with the high brightness range of your camera's Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.

  • 1500nit 10-bit
    The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.

  • HDR on the Big Screen with PQ Out
    The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post.

  • 4K 60P & HD 240P Recording
    Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors.

  • CDNG Raw over Quad SDI
    The Quad SDI connections offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a convenient single 12G SDI output. This allows you to connect single link from SD 1.5G, HD 3G, 4K 30p 6G or 4K 60p 12G. Connect any combination of 3G connections up to Quad SDI at 4K 60p. Conveniently link a Quad SDI workflow to a single 12G workflow through the Shogun Inferno which acts as a 4 to 1 converter with 12G SDI and 4K HDMI output from the Quad input.

  • Simple OS, Sophisticated Shots
    The Shogun Inferno is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.

  • Continuuous Power & Super Fast Charging
    Inferno features Atomos' patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system, Atomos includes a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.

  • Monitor & Record XLR Audio
    The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.

  • Advanced Recording Capability
    Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.

- Product Identifiers -

UPC: 814164020718

- In The Box -

  • Shogun Inferno unit
  • Soft travel case
  • 1x Master Caddy II drive caddy
  • 1x Power supply
  • 1x XLR Breakout cable

- Product Specifications -

Technical Specifications

  • Weight
    • Without batteries & media: 709g / 25.0oz
    • With batteries & media: 1153g / 40.7oz
    • Dimensions (W x H x D mm): 214 x 127 x 45mm, 8.4 x 5 x 1.8"
    • Construction
      • High quality lightweight ABS Polycarbonate for durability & portability
      • Built-in armor protection
  • Power
    • Operating power: 10 - 27W
    • Compatible batteries: NP series and supporting accessories
    • Input voltage (battery): 6.2V to 16.8V
    • Battery time (based on 7.4V): -
      • 5200mAh - up to 1.5hrs (monitor & record 4K 30p)
      • 7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    • DC In: 1 x DC in (6.2 - 16.8V)
    • Continuous power (* Patent pending): Primary-secondary battery system Change batteries without losing power Loop batteries continuously

  • Touchscreen
    • Size: 7.1"
    • Resolution: 1920 x 1200
    • PPI: 325
    • Aspect ratio: 16:9 native
    • Color Gamut: REC709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube le format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit

  • HDR
    • AtomHDR: Yes
    • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts
      • Sony SGamut / SGamut3 / SGamut3.cine
      • Canon Cinema / BT2020 / DCI P3 / DCI P3+
      • Panasonic V Gamut
      • Arri Alexa Wide Gamut
    • Bit depth: 10-bit (8+2 FRC)
    • Brightness: 1500nit (+/- 10%)
    • PQ in/out (In = Post / Out = Monitor): Yes / Yes

  • Video input/loop out
    • HDMI: 1 x HDMI (2.0)
    • SDI: Quad link 4 x 3G SDI or up to 12G single link SDI
    • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)

  • Video output (play out)
    • HDMI: 1 x HDMI (2.0)
    • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
    • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

  • Supported loop out formats
    • HDMI to HDMI
      • 720p 50/60, 1080i 50/60
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to SDI
      • 720p 50/60, 1080i 50/60
      • 1080pSF 24/25/30
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60

  • Video signal conversion
    • HDMI to SDI
      • 720p 50/60, 1080i 50/60
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60
    • SDI to HDMI
      • 720p 50/60, 1080i 50/60
      • 1080p 24/25/30/50/60/100/120/200*/240*
      • 2160p 24/25/30/50/60

  • Supported Codecs & frame rates (record & playback)
    • Raw to CDNG (Record only)*
      • Codecs
        • Cinema DNG for supported cameras (Sony FS5/FS7/FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)
      • Frame rates
        • 4K DCI / 4K UHD; 24/25/30p
        • 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p
    • Raw to ProRes / DNxHR
      • Codecs
        • Apple ProRes HQ, 422, LT
        • AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates
        • 4K DCI / 4K UHD; 24/25/30/50/60p
        • 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120/200/240p
    • Video to ProRes / DNxHR
      • Codecs
        • Apple ProRes HQ, 422, LT
        • AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates
        • 4K DCI / 4K UHD; 24/25/30/50/60p
        • 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120/200/240p
        • 1080i; 50/60i
        • 720p; 50/60p

  • Onboard processing
    • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
    • 60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback (Not available in RAW)

  • Audio in/out (48kHz PCM audio)
    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: 12ch 48kHz 24-bit
    • Audio
      • 2ch balanced XLR analog in/out
      • Dynamic range >90dB
      • Max signal level +24dBu
      • Max analog gain +52dB
      • 48V Phantom Power for Mic

  • Remote start/stop
    • HDMI: Auto HDMI Trigger
      Supported Protocols - Canon, Sony, Atomos Open Standard
    • SDI: SDI trigger camera selectable
    • Other: LANC control - Slave

  • Playback
    • Playlist: Yes
    • Genlock / LTC: Yes / Yes

  • Playback
    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes
    • Meta data tagging: Yes (10 tags available)
    • Supported media (Approved List Only)
      • 4K / HD (50/60/120p*)
        • SSD 2.5", HDD (7,200 up to 1080p60)
      • HD
        • SSD 2.5", HDD (5,400 up to 1080p30)
    • Master caddy case: Master Caddy II (included)
    • 75mm x 105mm x 12mm
    • Master caddy dock: 2.5" SATA to USB 2.0/3.0
    • Supported applications: Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015
    • XML support: FCPX XML native, FCP7 supported with conversion (Adobe compatible)

  • * Available in a future firmware update
  • ** 24/30/60 frame rates also include 23.98/29.97/59.94 frame rates for all resolutions
  • *** No HDMI spec for 2K DCI

Hassle Free Returns

At Motion Media, our goal is to ensure your complete satisfaction with your purchase. If, for whatever reason, you are dissatisfied with your purchase, you may return it to Motion Media within 30 days. Claims for missing items or items damaged in transit must be received within three business days of receipt of merchandise.

Refunds on returned items will be issued in the same payment form as tendered at the time of purchase. If payment was made by credit card, once we receive the product we will credit your account. Please allow 7-10 days for a credit to appear on your credit card statement. If payment was made by check, please allow 10 business days for a refund check to be issued.

Please read all conditions below. If conditions are not met, Motion Media reserves the right to refuse the return or to charge a restocking fee of up to 25%.

How to return or exchange an item:

  • In order to return an item you need to first obtain an RMA (Return Merchandise Authorization) number.
  • To request an RMA number, please visit our contact page and send us an email with the request.
  • To request an RMA number by phone, call Customer Service at 310-450-4000.
  • Place the original package into a shipping carton.
  • Include the invoice and the reason for the return. If defective, please specify the defect.
  • Please do not place stickers or shipping labels on the original manufacturer's package.
  • The RMA number must be clearly written on the outer box. If you received a label in the email, print the label and tape it to the carton.
  • Ship via insured ground service with a tracking number. Return shipping charges are the responsibility of the customer. We are not responsible for lost or damaged packages.
  • Send pre-authorized returns to:

    Motion Media, LLC
    Attn: RMA#XXXXX
    709 N. Douglas St.
    El Segundo, CA 90245

  • Alternatively, you may return an item at our office at the above location, with an approved RMA.


  • All returned or exchanged items must be in new condition, in the original box, and must include all packing material, blank warranty cards, manuals, and all accessories.
  • Motion Media is not responsible for personal data or items left in returned merchandise.
  • Defective items may be repaired or exchanged at our discretion for the same model or manufacturer's equivalent model.
  • RMA numbers are valid for 10 days.
  • Motion Media is not responsible for any consequential or incidental damage resulting from the sale or use of any merchandise bought from us. We are responsible for the monetary value of the merchandise only.

No Return/Exchange On:

  • Any Electronically Delivered Software*
  • 3D Printers & Accessories
  • Custom systems built or modified by Motion Media to customer's specifications
  • Educational dvd's and books once unwrapped
  • Motion Media Gift Cards are redeemable for merchandise only and may not be redeemed for cash.

*We offer 30 day returns on Autodesk licenses, excluding monthly terms.