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AJA Ki Pro Quad 4K/QuadHD/2K/HD Solid State Recorder, with ProRes 4444/422

  • AJA Ki Pro Quad 4K/QuadHD/2K/HD Solid State Recorder, with ProRes 4444/422 - Image 1
  • AJA Ki Pro Quad 4K/QuadHD/2K/HD Solid State Recorder, with ProRes 4444/422 - Image 2

PRODUCT HIGHLIGHTS

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Captures, records and outputs 4K, Quad HD, 2K and HD
-
Supports 10-bit 4:4:4 and 10-bit 4:2:2/Can capture and transfer RAW
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Records to edit-friendly 4K, 2K, or HD ProRes files on removable SSD media
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Features SDI, HDMI, Thunderbolt, XLR, Ethernet and balanced audio connections
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Real-time transfer of RAW to a RAID or Thunderbolt-enabled computer
Product Family
Ki Pro
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PRODUCT HIGHLIGHTS

-
Captures, records and outputs 4K, Quad HD, 2K and HD
-
Supports 10-bit 4:4:4 and 10-bit 4:2:2/Can capture and transfer RAW
-
Records to edit-friendly 4K, 2K, or HD ProRes files on removable SSD media
-
Features SDI, HDMI, Thunderbolt, XLR, Ethernet and balanced audio connections
-
Real-time transfer of RAW to a RAID or Thunderbolt-enabled computer
Product Family
Ki Pro
Your Price: $2,995.00
Brand Name:
AJA Video Systems
SKU:
AJA-KI-PRO-QUAD
Availability:
In Stock - usually ships next business day

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Product Description

4K/QuadHD/2K/HD Solid State Recorder

AJA Video Systems brings you the Ki Pro Quad allowing efficient management of your 4K/Quad HD/2K/HD workflow with the efficiencies of Apple ProRes and the flexibility of RAW data in a compact, solid state recording and playback package that easily mounts directly on a variety of cameras. For the first time, a true real time lens-to-post workflow exists for 4K projects on the same device you can use for HD projects today. The Ki Pro Quad is the ideal solution for any project from HD to 4K. Priced substantially less than other 4K recorders but still boasting the power and functionality for the demands of 4K productions as well as functionality not found in recorders of ANY price.

Manageable 4K

The Ki Pro Quad serves as a central gathering point for all your 4K production needs; bringing camera signals into Ki Pro Quad and then simultaneously create edit-friendly 4K ProRes files, outputing to 4K monitors and recording RAW data directly to Thunderbolt™-enabled computer/storage system. 4K content needs are constantly expanding, and the Ki Pro Quad helps ease the transition to 4K with a recorder that creates smaller file sizes while still retaining superior quality.

HD now, 4K when you need it

The Ki Pro Quad supports 4:2:2 and 4:4:4 recording even at HD and 2K resolutions. Real time scaling from 4K to 2K/HD. Shoot 4K but record 2K to keep file sizes down but still have theatrical quality images to work with. HDMI output allows connection even to HD consumer monitors. Ki Pro Quad can cover your needs today and into the future.

Powerful RAW debayering

New hardware-based features, such as real time, high-quality RAW debayering, recording directly to 4K resolution Apple ProRes files and real time scaling from 4K to HD. Only AJA can deliver advanced features like these in such a compact package. RAW data is the source from which all other image formats can be generated. This is the equivalent of a camera negative in film terms. Thunderbolt™ allows the bandwidth to record this RAW data via a single cable to a properly configured drive array. Ki Pro Quad supports RAW data pass-through while simultaneously recording to 4K ProRes files, for the ultimate in data security and flexibility.

Flexible mounting options

4K cameras are no longer giant pieces of machinery. They are as mobile as an HD camera and need a recording device that matches. Ki Pro Quad has the same side profile as the AJA Ki Pro Mini, so the same mounting accessories can be used to mount the Ki Pro Quad to cameras, rails or whatever the situation calls for. The Universal Mounting Plate and 15mm Rod Mount Plate provide almost endless mounting possibilities when used in combination with battery plates, hot shoe mounts, articulated arms and more, giving you more options for mounting and camera balance - weight distribution can be carefully controlled instead of just adding another device to the body.

4K and HD Monitoring

At 4K resolution, the ability to check focus and exposure is critical. The only way to do this is with proper, full 4K monitoring. Ki Pro Quad provides a full resolution output that can be fed to 4K monitors for real time, on set quality control. Real time hardware scaling creates high-quality HD-SDI and HDMI outputs for viewing on consumer and professional HD monitors, giving you instant, real-time feedback for less work during the post production process.

Familiar controls and operation

Ki Pro Quad follows the same tried-and-true principles that have made the rest of the Ki Pro family successful, creating high-quality, low-bandwidth ProRes files up to 4K resolutions, that can be easily offloaded to any Thunderbolt™-enabled Mac via AJA's new SSD Thunderbolt reader. The resolution may be different, but the process is the same. And with the same capabilities of Ki Pro Mini for remote control, automation, ease of use and mounting options, the transition to Ki Pro Quad is virtually seamless.

Storage options and accessories

Ki Pro Quad lets you record edit-friendly 4K, 2K, or HD ProRes files directly to removable AJA Pak SSD media. 256GB and 512GB Pak SSD modules are available, and once removed from the Ki Pro Quad, the Pak can be inserted in the AJA Pak Dock which connects directly to your computer via Thunderbolt™ or USB 3.0, allowing you to rapidly transfer ProRes QuickTime files that are ready for use immediately in your non-linear editing system.

For working in direct light situations, a monitor hood is included that screws onto the Ki Pro Quad chassis for a secure fit that helps block direct light onto the built-in confidence monitor. And when working at your desktop, the Ki Pro Quad Desk Stand is the perfect solution and includes a right angle power cable for easy connection from the Ki Pro Quad to it's power supply.

In The Box

  • AJA Ki Pro Quad
  • AC Adapter (AC to 4-pin XLR)
  • monitor hood
  • (Storage not included)



Ki Pro Quad Technical Specifications

Video Formats:

  • 720P 23.98, 25, 29.97, 50, 59.94, 60
    Note: 720p 23.98 (24), 720p 25 and 720p 29.97 require a valid camera source and the use of the Record Type>VFR selection
  • 1080i 25, 29.97, 30
  • 1080PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 1080p 23.98, 24, 25, 29.97, 50, 59.94
  • 2K (2048x1080) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 2K (2048x1080) p 23.98, 24, 25, 29.97, 50, 59.94
  • QuadHD (3840x2160) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • QuadHD (3840x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    Note: 50 and 59.94 are not supported for recording only for input passthrough
  • 4K (4096x2160) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 4K (4096x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    Note: 50 and 59.94 are not supported for recording only for input passthrough

Codec Support:

  • Apple ProRes 422
  • Apple ProRes 422 (HQ)
  • Apple ProRes 422 (LT)
  • Apple ProRes 422 (Proxy)
  • Apple ProRes 4444

Removable Storage:

Video Input Digital:

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
  • Single Link 4:2:2, 4:4:4 or Canon Raw (1 x BNC)
  • Dual Link 4:2:2, 4:4:4 or Canon Raw (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1D LUT Support

Video Output Digital:

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit
  • Single Link 4:2:2 or 4:4:4 (1 x BNC)
  • Dual Link 4:2:2 or 4:4:4 (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1x HD SDI monitor output with support for up to 2K (2048x1080) 4:2:2
  • 1x HDMI v1.4 monitor output
  • 1D LUT support

Audio Input Digital:

  • 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous

Audio Input Analog:

  • 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
  • Input level: Line, Mic, Mic+phantom 48Vdc
  • +24dbu Full Scale Digital
  • +/- 0.2db 20 to 20kHz Frequency Response

Audio Output Digital:

  • 8-channel, 24-bit SDI embedded audio, 48kHz sample rate, Synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous

Audio Output Analog:

  • Stereo unbalanced headphone (1 x mini TRS)

Timecode:

  • SDI RP188/SMPTE 12M via SDI BNC
  • LTC input (1 x BNC)

Reference Input

  • Analog Color Black (1V) or Composite Sync (2 or 4V)

Network Interface:

  • 10/100/1000 Ethernet (RJ-45)
  • Embedded web server for remote control

User Interface:

  • 320x240 LCD display and 14 dedicated operational buttons

Data Interface:

  • 1x Thunderboltâ„¢

Physical:

  • Width: 4.55" (11.557cm)
  • Depth: 2.85" (7.239cm)
  • Height: 5.89" (14.9606cm)
  • Power: 100-240 VAC 50/60Hz (adapter), 12-18Vdc 4-pin XLR (chassis), 5A max, 31.2-35.5W typical-41.5W Max
  • Weight: 2.22 lb (1.00698kg)
 

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